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TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019

A God, A Casket, A Crossing, 2019

Santa Clara Marine Plywood
16 x 71 x 19 in.
40.6 x 180.3 x 48.3 cm
$ 30,000.00

Further images

  • (View a larger image of thumbnail 1 ) TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
  • (View a larger image of thumbnail 2 ) TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
  • (View a larger image of thumbnail 3 ) TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
  • (View a larger image of thumbnail 4 ) TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
  • (View a larger image of thumbnail 5 ) TUAN ANDREW NGUYEN, A God, A Casket, A Crossing, 2019
Bataan was the site of the PRPC [Philippine Refugee Processing Center], which processed roughly 300,000 Vietnamese, Laotian, and Cambodian refugees who fled their countries after the Vietnam War. A large...
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Bataan was the site of the PRPC [Philippine Refugee Processing Center], which processed roughly 300,000 Vietnamese, Laotian, and Cambodian refugees who fled their countries after the Vietnam War. A large number of these refugees landed on the coast of Bataan by boat. "A God, A Casket, A Crossing" is a replica of one of the original vessels that were kept on the grounds of the PRPC and is now on view in the PRPC Museum.
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Exhibitions

STILL ALIVE, 2022 Aichi Triennale, Japan, July 20 - October 30, 2022
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