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ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020
ALISON ELIZABETH TAYLOR, Rockshop, 2020

Rockshop, 2020

Marquetry hybrid
68 x 51 in
172.7 x 129.5 cm
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Further images

  • (View a larger image of thumbnail 1 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 2 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 3 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 4 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 5 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 6 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
  • (View a larger image of thumbnail 7 ) ALISON ELIZABETH TAYLOR, Rockshop, 2020
Geodes are fascinating as the inside is unexpectedly hued and luminescent given its rocky gray exterior, but when multitudes of these gray rocks make up a landscape they achieve another...
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Geodes are fascinating as the inside is unexpectedly hued and luminescent given its rocky gray exterior, but when multitudes of these gray rocks make up a landscape they achieve another sort of sublimity. This is a metaphor for contemplating the multipart whole versus the individual. Rockshop is also a reflection on employing the striking characteristics of natural materials within artworks as an aesthetic tool.

The window connects the natural world of the landscape with the interior of a commercial space. Pieces of the landscape are extracted, polished and displayed like artworks. They become rarified objects to take away as physical reminders of an encounter with nature via a tourist’s day hike. Modernism contended with the idea of painting as a window many decades ago. The notion of a two-dimensional rectangle as a window onto worlds is complicated here by a flatness of the space reminiscent of postcards that have popularized the practice of nature tourism.
--Alison Elizabeth Taylor
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Exhibitions

Future Promise, James Cohan, 48 Walker Street, September 10- October 23, 2021.
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