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MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013

Untitled, 2013

Felt-tip pen on paper
24 1/8 x 36 3/8 in
61 x 92.5 cm
$ 35,000.00

Further images

  • (View a larger image of thumbnail 1 ) MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
  • (View a larger image of thumbnail 2 ) MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
  • (View a larger image of thumbnail 3 ) MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
  • (View a larger image of thumbnail 4 ) MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
  • (View a larger image of thumbnail 5 ) MONIR SHAHROUDY FARMANFARMAIAN, Untitled, 2013
Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Certain drawings or studies correspond to eventual three-dimensional, sculptural...
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Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Certain drawings or studies correspond to eventual three-dimensional, sculptural applications of their forms, while others employ rhythmic patterning and calligraphic mark-making to create dimensional effects within the picture plane. Typically rendered in vivid hues of felt-tipped marker and colored pencil, Monir’s works on paper demonstrate her ability to cast fields of radiant, expressive energy from pared-down arrangements of line and form, through a process characterized by structural precision.
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Exhibitions

Mirror-works and Drawings (2004–2016), James Cohan Gallery, New York, NY, January 29 - March 6, 2021.

Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings, 1974-2014, Guggenheim Museum, New York, NY, March 13 - June 3, 2015.


Publications

Monir Shahroudy Farmanfarmaian Infinite Possibility: Mirror Works and Drawings 1974-2014, Fundacao de Serralves 2014. p 126-127
Inquiry
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