Untitled (D3), 2015
Felt tip marker, pen, and glitter on paper
27 1/2 x 39 3/8 in
70 x 100 cm
70 x 100 cm
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Further images
Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Certain drawings or studies correspond to eventual three-dimensional, sculptural...
Drawing was an integral throughline in Monir’s wide-ranging practice, providing a means for exercising spatial thinking through experimentation with geometric structure. Certain drawings or studies correspond to eventual three-dimensional, sculptural applications of their forms, while others employ rhythmic patterning and calligraphic mark-making to create dimensional effects within the picture plane. Typically rendered in vivid hues of felt-tipped marker and colored pencil, Monir’s works on paper demonstrate her ability to cast fields of radiant, expressive energy from pared-down arrangements of line and form, through a process characterized by structural precision.