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KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
KATHLEEN RYAN, Bad Grapes (Desert Island), 2021

Bad Grapes (Desert Island), 2021

Agate, turquoise, amazonite, tektite, aquamarine, magnesite, jasper, garnet, Ching Hai jade, onyx, serpentine, glass, steel pins on coated polystyrene, copper tube and copper fittings
38 1/2 x 35 3/4 x 28 1/2 in
97.8 x 90.8 x 72.4 cm
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Further images

  • (View a larger image of thumbnail 1 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 2 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 3 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 4 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 5 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 6 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
  • (View a larger image of thumbnail 7 ) KATHLEEN RYAN, Bad Grapes (Desert Island), 2021
In 'Bad Grapes (Desert Island)' from her 'Bad Fruit' series, Kathleen reimagines a decaying grape bunch with unexpected materials – such as a cooper pipes and turquoise – at an...
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In "Bad Grapes (Desert Island)" from her "Bad Fruit" series, Kathleen reimagines a decaying grape bunch with unexpected materials – such as a cooper pipes and turquoise – at an imposing scale. Mining the American craft tradition of pushpin-beaded fruit, Ryan encrusts the carved form’s surface with glass and acrylic beads to delineate “fresh” parts and semiprecious stone beads for “rotten” areas, a conceptual and material subversion through which she explores ideas of value, desire and overconsumption.
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