James Cohan Gallery
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Artworks

ELSA GRAMCKO, Sin título (Untitled), 1965
ELSA GRAMCKO, Sin título (Untitled), 1965
ELSA GRAMCKO, Sin título (Untitled), 1965

Sin título (Untitled), 1965

Cement, car battery cells, and mixed media on wood
33 1/2 x 29 3/8 in.
85 x 74.5 cm

Further images

  • (View a larger image of thumbnail 1 ) ELSA GRAMCKO, Sin título (Untitled), 1965
  • (View a larger image of thumbnail 2 ) ELSA GRAMCKO, Sin título (Untitled), 1965
  • (View a larger image of thumbnail 3 ) ELSA GRAMCKO, Sin título (Untitled), 1965
“Sin título (Untitled)”, 1965, represents the architecture of confinement- resembling a prison cell in her use of strips of car battery cells. A door is ajar, but the interior is...
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“Sin título (Untitled)”, 1965, represents the architecture of confinement- resembling a prison cell in her use of strips of car battery cells. A door is ajar, but the interior is unattainable and guarded. This work recalls her castles and locks series, which reference her hometown of Puerto Cabello, home to the largest population of political prisoners during the Juan Vicente Gómez regime (1908–1935).
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Exhibitions

Elsa Gramcko, Una aquimista de nuestro tiempo. Galería de Arte Nacional, Caracas, Venezuela. 1997, September – November.
Elsa Gramcko: The Invisible Plot of Things, Sicardi | Ayers | Bacino, Houston, TX, May 13 – July 2, 2022

Publications

Rangel Gabriela, Aruna D’Souza. Elsa Gramcko: The Invisible Plot of Things. Published by Sicardi | Ayers | Bacino, James Cohan, printed by Faenza Group, Italy, 2022, p. 69.
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