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FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022
FRED TOMASELLI, Honeycreeper, 2022

Honeycreeper, 2022

Leaves, photo collage, acrylic and resin on wood panel
84 x 60 in.
213.4 x 152.4 cm
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Further images

  • (View a larger image of thumbnail 1 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 2 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 3 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 4 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 5 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 6 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 7 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 8 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 9 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 10 ) FRED TOMASELLI, Honeycreeper, 2022
  • (View a larger image of thumbnail 11 ) FRED TOMASELLI, Honeycreeper, 2022
Fred Tomaselli’s most recent resin encapsulated collage work, 'Honeycreeper', 2022, depicts a Mamo Honeycreeper, now extinct following the European colonization of Hawaii. Represented ominously white-eyed, the imposing, fiercely hook-beaked bird...
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Fred Tomaselli’s most recent resin encapsulated collage work, "Honeycreeper", 2022, depicts a Mamo Honeycreeper, now extinct following the European colonization of Hawaii. Represented ominously white-eyed, the imposing, fiercely hook-beaked bird rests on a flowering branch, which it tightly clutches with threateningly sharp talons. Spiraling upwards from the bird is a burst of collaged newsprint pinwheels that germinate across the picture plane in mesmerizing and hallucinatory patterns, like a blooming bouquet or a mutating virus–the idyll of nature pierced by the man-made world.

Hawaiian Honeycreepers descended from finches and once totaled 51 sub-species. Contemporaneously, more than half of these nectar-eating species are now extinct due to human impact. For Tomaselli, making the Mamo Honeycreeper visible in his work is a way to see the unseeable, and acknowledge the Holocene Extinction and humanity's precarious relationship with nature.
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