In this study, geometric abstraction becomes an entry-point for Mernet Larsen's playful upheaval of the spatial conventions of representation. Based on an El Lissitzky composition from 1919, central to this work is Larsen's treatment of the source-drawing's lines and abstract forms as a Rorschach: free-associative parameters for a process of gradually building out layers of geometric planes to construct figurative forms in space. The resulting study depicts a familiar beach scene with a diving board and lifeguard tower, transformed here into an ambiguous, horizon-less space.