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  • EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    EAMON ORE-GIRON, Infinite Regress CXLVII, 2020

    Infinite Regress CXLVII, 2020

    Mineral paint and flashe on linen
    108 x 90 in.
    274.3 x 228.6 cm
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    Further images

    • (View a larger image of thumbnail 1 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    • (View a larger image of thumbnail 2 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    • (View a larger image of thumbnail 3 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    • (View a larger image of thumbnail 4 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    • (View a larger image of thumbnail 5 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    • (View a larger image of thumbnail 6 ) EAMON ORE-GIRON, Infinite Regress CXLVII, 2020
    In his series of paintings entitled Infinite Regress (2015–ongoing), Eamon Ore-Giron’s totemic visual language is subject to an ongoing process of reformulation. In philosophy, infinite regress is a sequence of...
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    In his series of paintings entitled Infinite Regress (2015–ongoing), Eamon Ore-Giron’s totemic visual language is subject to an ongoing process of reformulation. In philosophy, infinite regress is a sequence of reasoning which never ends, a paradox of limitless regeneration that disproves the concept of fixed knowledge—in connecting one element to another, a third one is generated and so on, endlessly. Ore-Giron paints with highly-pigmented flashe on raw brown linen, creating evocative forms that recall religious iconography, sacred landscapes, and celestial bodies in cyclical passages of time. With simple geometric shapes that shift in and out of graphic fields of gold, the paintings in this series are each a variation on the one that came before, suggesting a trajectory of future iterations. Their chromatic planes play on spatial recession and optical perception as they trace an infinite path forward.
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    Exhibitions

    Eamon Ore-Giron, The Symmetry of Tears, James Cohan, 48 Walker St, May 1 - June 5, 2021
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